An antique Italian console table dating back to the late 1800s, a fine and refined piece of furniture that testifies to the excellence of Italian design and craftsmanship of the period. The console table is distinguished by its elegant and refined aesthetics, typical of the Baroque style, which, however, profoundly influenced the furniture and architecture of the period.
Made with a white marble top, the console table is distinguished by its finely carved wooden structure. The main material used in the construction of the console table: walnut wood. Walnut is a valuable and durable wood, prized for its beauty and skillful workmanship.
The console table rests on four elegantly turned legs, characterised by a sinuous and refined design. From the ends of the legs, called feet, radiate four wooden elements that converge towards the centre, where a decorative element of great value rises up. The intense carving of the wood, incorporating foliage motifs and scrolls, gives the console table a sumptuous and sophisticated appearance typical of Baroque art.
The light Baroque style, to which the console table refers, is characterised by the adoption of soft, sinuous shapes and the use of rich, intricate decorative details. This elegant entrance console table is ideal for furnishing the spaces of classic houses, particularly entrances, where it can serve as a welcoming element and presentation of the style of the home.
The Italian console table from the late 1800s represents a high quality example of the design and craftsmanship of the period in a nutshell, testifying to the value and importance of Italian art in the history of furniture and furnishing. This antique continues to arouse admiration and interest among art and design enthusiasts because of its timeless beauty and the elegance of its form.
Read about Italian Baroque
Italian Baroque is the historiographical designation for the local dimension in Italy of the Baroque, a cultural movement with intellectual, literary and all kinds of extension, its temporal collocation ranging from the late 16th century (Caravaggio) to the mid-18th century (Tiepolo)
